Gauging Brockway

From the nutty old guy description to the fact that there's a "Danger" sign on the door to where he works, Brockway is presented as a pretty crazy character. It's never clear to the narrator how he should handle Brockway, but he always gives the narrator a sense of uneasiness. After all, it's kind of difficult to trust an old man when he says that he's the only reason the factory is operating, especially if he doesn't give off the "engineer" vibe.

But what if we look at the situation from another point of view? What does Brockway think about his position in life and in the factory? He seems to be happy with his job, but what is the cost of that happiness?

For one thing, it doesn't seem like Brockway gives off the "freedom" vibe. While I'm sure that there a million implications to how he's an old black guy that's making Liberty Paints run properly, I find it interesting how it's him in particular. According to Brockway himself, he's the only person who can properly operate the machines to make the paint. He even touts how the factory's Founder asked him to come out of retirement since no one else could figure out how to make the furnaces run properly. He may get a sense of pleasure out of being the only person capable of doing his job, but isn't that just another form of entrapment? After all, he's effectively locked himself into this working position for the rest of his life. He's kind of similar to Bledsoe, in that respect. Both of them are in a position of power, but neither of them have a way of getting out. They're both trapped at where they are.

Brockway also likes to constantly point out how he knew the factory's founder and helped build it from the ground up. While some of the story may be a bit unreliable, such as him knowing every single nut and bolt of the pipings, I think that his story is believable enough to have some truth behind it. I find it believable that he knew the Founder and possibly helped build the factory, and that the Founder even asked him to run the engine room and paint machines. But then that opens up a whole other slew of subliminal meanings. The Founder put him in the basement of the factory, fronted by a "Danger" sign on the door? The dynamic between Brockway and the Founder is really odd in this regard. What does it mean that Brockway takes such pride in a job that seems so demoralizing from our perspective?

To finish off, I'd like to make one more somewhat extant comparison between Brockway and Bledsoe. In Brockway's case, it seems like the Founder put him in his position of control, but in doing so knowingly took away his freedom. Does the same thing apply to Bledsoe? After all, he knew the Founder of the college. Did the college Founder give Bledsoe control, just so he didn't have any control over his life? I'm probably going a little too far with this comparison, but it's difficult not to draw similarities and see if they connect. Ellison may be using all of these inception-like ideas to show how gaining freedom or succeeding as a black man doesn't mean anything; no matter what, it's all a part of a giant game being played by the white people.

Then again, I might just be overthinking this too much. But hey, it's fun to go crazy with Invisible Man. Maybe Brockway had the right idea all along.

Comments

  1. I’m glad somebody wrote about Brockway because he was such a weird character that we didn’t spend a whole lot of time on in class. To me, he seemed cartoonish, almost like a little troll in a hole, interrogating the imposters that were sent down to his lair. So much of the underground factory scene seemed surreal: from the job the narrator is tasked with (watching gages, not operating any machinery, just watching them?), to the operation of the factory itself (what does Brockway actually *do* down there?). And I totally agree with you that his close relationship with the founder seems weird, considering he’s shut away all alone in the basement, without any power or prestige.

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  2. Brockway and Bledsoe seem like complete opposites to me. Bledsoe likes to show his prestige and make the narrator understand that he is in complete control, but Brockway seems extremely paranoid and is worried that the narrator is there to take his job away. The whole fight with Brockway is totally laughable, but somewhat believable. The main difference is that Bledsoe wears the mask and Brockway doesn't.

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  3. I think your comparison between Bledsoe and Brockway is very insightful. I think that they have both, in a sense, reached the "top" but they have no where left to go and it would be incorrect to call their position a type of freedom. They both believe that they are the real force behind the system and regardless of whether or not that be true, the are also not as respected for the work that they do as one might expect. Great post!

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  4. I think there's also a lot of ways that Liberty Paints is connected to the political structure of the US as a whole. And I think that the fact that a paint company named "Liberty" Paints is run by (or perhaps built on the back of) an invisible black man is revealing. Is this a commentary on how the US was essentially built on the exploited labor of slaves?

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  5. As with the ambiguity around "crazy" with the Vet, there's ambiguity around dismissing Brockway as simply "crazy" (which the narrator clearly wants to do). He does seem to be marked as crazy and eccentric and of dubious authority in a number of ways, and he is the one who initiates the fight at the end of the chapter. But he's also pretty clearly running this paint factory, functioning as an engineer, deferred to by the authorities. Ellison keeps playing with the expectation that those in authority will be clearly "sane," while there are marginal figures we can dismiss as "crazy" and not worth considering seriously. Bledsoe is "sane" by cultural standards, while the Vet is "crazy." But who seems to have the sharper insight into the narrator's situation and what he needs to do to attain some measure of "freedom"?

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